rain in my heart update mark
However I think that this documentary can appear that way simply because it is so intimate and explicit. Outside, the sparrows on the roof Are chirping in the dripping rain.Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Once Watson sees this he is distinctively appalled and shocked that Vanda, after promising in a previous shot that she would fight to stay sober in the future, has gone back on her words and is drunk again. Thats exactly what I think about the film: it is extreme and crude in some scenes but this cannot be translated as exploitation but as accurate and careful explanation and evidence of a serious phenomenon such as alcoholism. Posts; 4,539. Obliging by the rules of observational filmmaking, Watson, on the whole, assumes a fly-on-the-wall position and captures the destruction as it unfolds. She was healing. Its an accrtate reflection of the film, filled out with music (sometimes exciting rock) atmospheric and stylized dramatic reconstruction of events, and many many many self-conscious and elaborate shots. Get up to 5 months free Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. It brought more power to the issues of alcohol and their lasting effects on the psyche. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. By making such a real and baring all film, he is raising awareness about the reality of alcoholism and hopefully opening the eyes of alcoholics watching it and even doctors watching it, who can see how to help alcoholics in earlier stages. However, Watsons humanity and compassion shines through. Rain in my Heart(TV Movie) Opinion Awards FAQ User Reviews User Ratings External Reviews Metacritic Reviews Details Full Cast and Crew Release Dates Official Sites Company Credits Filming & Production Technical Specs Storyline Taglines Plot Summary Synopsis Plot Keywords Parents Guide Did You Know? It is clear to me throughout, both when talking to his subjects and when talking to the camera itself that he becomes both emotionally involved and also continuously checks that he is keeping to his promises. Whilst considering the methods that Watson used to gain the footage and despite my previous comments being slightly negative, i do believe he was being somewhat ethical. The latest Arizona headlines, breaking news, in-depth investigations, politics, and local community stories that matter to you. I found a video called, Revisiting Rain in My Heart, in which Paul Watson revisits the surviving subjects from the film. There were a couple of moments where I felt that he distracted from what we really should have been looking at. This however does not detract from the fact that I believe some of what Watson did, did push the boundaries on what is ethical and moral within a documentary. Alluding to the culture of exploitning woman, as well as Spielbergs film being a commercial (and one which ends with a very colourful, affirming ending) intent makes it a machine absording actresses and horrors for the output of satisfying drama. It is true that these patients are probably not fully capable of realising the whole process of the documentary, however they are aware that a camera is always present and they are sometimes asked by Watson if they prefer it to be switched off. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. I felt that already Watson was too close to his subjects to represent them how he originally intended to. But I dont appreciate so much. For someone to say that Watson exploited the people in the film is to say that he harmed them in some way, which I dont think he did. The earliest version to survive in the Bible is Mark 's Gospel. There is also the repetitive clip of when Vanda says her monsters are in her head. To this statement Vanda agrees and understands the relationship between the two of them. Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. So yes, as we saw during the screening, he was primarily affected by alcohols effect on his father and then consequently, his entire family. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. Overall, I believe Watson does not exploit his subjects because they knew roughly what they were getting themselves into and because Watson simply observed with the camera the tragic events of the subjects that would gain the empathy of the audience towards the effect of alcoholism. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. However I feel this issue raised WAS ethical as after Vanda gave him that information, he explicitly asked her to again give him consent the morning after that occurred so that she could give consent when she wasnt drunk. The subject is not exploited as she has consented Watson to film her in her most tragic state and all of this psychological revealing is not only for Watsons own good but for the audience as they are being warned off the overuse of alcohol. Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. http://news.bbc.co.uk/player/nol/newsid_7140000/newsid_7143600/7143616.stm. /Users/abgsaniya/Desktop/hqdefault.jpg. Another was "drinking less" but needed a Zimmer frame with which to walk; she's 43. All the footage that was quite hard to watch did, however, make the film much more real for me. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. Rain in my Heart (Full). To watch this sequence of Watson, truthfully revealing his professional flaw, for me, was quite humbling. He says My job is to explain, not entertain. When researching the film I found a web page (which is a old BBC one). But I dont think he exploited anyone in his documentary. 2022. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. Watson creates this feeling in his editing, which makes his points and connections better but is never pleasant as an aesthetic experience. However, we can all agree that sometimes happiness is simply taking a walk or dancing in the rain. An example of this is when Paul W asked Vanda whether she was telling the truth about being abused as a child. The world was slowly healing. This is an extremely special place to hunt mule deer and we have an intimate knowledge of the terrain. I mean most people wouldntHer reaction to his question is also an example as she seemed to be in pain by his disbelief and lack of trust.she even said why else would she be in the state she is in if not because of the trauma she had been through? Sometimes grief feels very isolating. Filmed over the course of a year, Paul Watson's camera follows them from Gillingham . He just tried to observe that and filmed everything as it is, while they I assume from the very beginning had agreed to be filmed in any state they are. There are some moments that I will have questions against this films moral or ethical problems. It was arguably and subtly manipulative how he often said would you like to carry on? as he was probably aware that the answer would be yes due to the state of the interviewees. Also while researching I found a Guardian article discussing the film. He interrogates the truth, not to exploit or harm the subjects in any way, but to try and uncover how and why these people fell into such a dark and alienated existence. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. Paul Watson. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? Before i didnt know that alcoholism could lead to such a terrifying state and even death. I immediately recognised the castle in the establishing shot in the opening sequence and was taken aback that this documentary was made literally where I have grown up and gone to school. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. It is not a pleastant sound. 'Fires were started' (1943)may easily come across as simply a fictional film due to the stylistic use of non-diagetic sound and scripted narrative. It followed the treatment of four alcoholics in one NHS hospital in Kent (the only one that would let him in). Watson intrudes on his film, importantly (and rather unromantically, when we consider the idea of immersive movie magic) shows him forging all the social contracts with his subjects at the start. Their harsh realities shocked me, however i found it extremely easy/automatic to empathise with them due to the methods of which Watson included, and the issues raised were heavily captivating. However, I do not think that Watson intentionally tried to exploit his subjects. Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. When he asked Toni to call and talk to his family, for example. The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. Watson used creative techniques through editing of previous footage of Vanda. Ive never seen alcoholism go to this extent. Overall, I see both sides of the argument. We have to remember that all the subjects gave their full consent to be filmed. SACRAMENTO, Calif. More rain and snow swept through Northern California on Monday, a day after a historic downpour set records and led to dangerous situations on roadways, street flooding,. RAIN IN MY HEART. Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. Read about our approach to external linking. Mark is being exploited towards the end of the film when he goes crazy and starts crying, screaming, vomiting etc. Thanos was gone. Even if that wouldve been the case either way, I think as an observer you shouldnt encourage it. That both are now vulnerable because they/we are putting ourselves forward to talk about something that is often bypassed. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. I find that this question of whether his action are ethical or not comes into play more at the moments when he simply stands back whilst the subjects continue to drink. Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. Firstly, if you are an Alcoholic to the extent the four patients were, it is not possible to have a clear judgment or make a legitimate decision. After filming Vanda revealing what the monsters in her head were, she states Im a little bit pickled (drunk), to which Paul Watson says Im taking advantage of you. The veins in her legs have contracted because of alcohol, making walking difficult. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. Other examples are when he continuing to film Nigels wife as she said goodbye to her dying husband in the hospital and when Vanda told a deep secret about the reason she became an alcoholic. But that is not a bad thing. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. For example when he repeatedly asks about how Vanda was abused, she can only really talk about it intoxicated, leading her to fall back to it. Paul Watson also states in the article, in reference to Nigel, that when I heard he would die, I admit, I thought thats going to make great telly. However, as I mentioned previously, Watson neither encourages nor halts the emotional stress of the patients, he simply asks them questions about their mental state and at times even asks the patients if they would prefer the camera to be turned off. To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. The feeling of films like that, of seeing something terrible aestheticized, is usually along the lines of the feeling Want to turn away but cant I tend to find that the cant often means secretly dont want to. One example from the documentary which I felt that could have made some people to view as Watson exploiting his subjects would be when one of his subject revealed (when she was highly intoxicated) that she had been sexually abused by her father. In conclusion, I felt Paul Watson was extremely careful with the permissions of his subjects and the hospital and was very clear with what he was going to do throughout; he also (on camera to share with the audience) expressed major concern and made it clear he continued to check with his subjects throughout whether they wanted certain things to be exposed within the final cut. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. Change), You are commenting using your Facebook account. For I'm just a fool Who clings to his pride But when I'm alone I can hear The sound of rain In my heart Of the tears that I hide And it tears me apart 'Cause I keep them inside I can't get away From the sound of the rain In my heart How could I know, my love I was a toy Only a game to you? At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. I would not have the heavens fair, I think Paul Watson has exploited his subjects in some point. Watching Nigel s family crying over his coffin is something that is upsetting and distressing for all. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. But if some of us dont record it, no one else will learn about it. Several times in the documentary we see him struggle to make decisions on how he will proceed with the footage he has. In making Rain in my Heart I would need to film people with troubled psyches; people within which gremlins and monsters lurk producing psychological pain and miseries, miseries that often push them to self-harm. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Twenty-nine when he appeared in Rain in my Heart, Mark was living on his own in an untidy flat that closely reflected his own state. Therefore I agree that their lives were exposed (as they agreed and wanted them to be) but they were not harshly exploited by Paul. Raining in My Heart Lyrics The sun is out The sky is blue There's not a cloud To spoil the view But it's raining Raining In My Heart The Weather Man Says "Clear today" He doesn't know You've. A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. The consent was given while the participants were fully aware of what they were agreeing to, which makes it difficult to accuse Paul Watson of having really exploited his subjects. Rain in my Heart (Full). document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument, http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/, https://www.youtube.com/watch?v=jjy8Z1hK2wY, http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust, https://www.youtube.com/watch?v=2LuFOX0Sy_o. In Rain in my Heart she is living in a council flat. Yes it is a devastating subject matter and yes the emotions that should arise in audiences should be just as devastating. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. As for Nigel, it can be said that he was exploited less than others, because his wife was constantly present, therefore she could control the actions of the filmmakers. As with his other films, Watson established a relationship with the subjects during filming. Boozenight, which included Paul Watson's follow-up to Rain in my Heart, was shown on Thursday, 13 Dec on BBC TWO. 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