philip mould van dyck henrietta maria sold
The public auction saw both works attract determined bidding nonetheless and both works sold for full prices.". Only in 2012, Philip Mould a renowned art dealer (who previously employed Grosvenor) purchased a painting from Christies depicting Queen Henrietta Maria, after Van Dyck. This took place at the time of the Thirty Years War (161848), a religious conflict between Catholic and Protestant states in central Europe. All this information gave Mould the confidence to bid way beyond the estimate, although, he admitted, "there is a note of fear that runs through all of us which is how badly you can screw up if you get it wrong". Henrietta Maria was the youngest daughter of Henry IV of France (Henry III of Navarre) and his second wife, Marie de' Medici, and was named after her parents. Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated . If you're behind a web filter, please make sure that the domains *.kastatic.org and *.kasandbox.org are unblocked. Buy "Anthony van Dyck - Portrait of Queen Henrietta Maria, as St Catherine (c.1649) in Philip Mould collection" by brand1st as a Photographic Print 5 days of deals is on. Upon her return to England she briefly lived in the Queen's House from 1662-1663 . His wish was granted in 1628, when the collection of the Gonzaga dukes of Mantua came up for sale. Mould, who will present a BBC1 series, Fake or Fortune, from June 19, plans to reveal some of his art sleuth secrets, such as how to "read" through dirt and discoloured varnish, and showing "the risks, the science and the processes" involved in searching for unidentified old masters. [7] See the letter of 10 March 1927 confirming receipt of payment for seven of the Northbrook paintings, including Queen Henrietta Maria, Sir Jeffrey Hudson and a Monkey, in the Duveen Brothers Records (box 269, folder 16, reel 124; accession number 960015, Research Library, The Getty Research Institute, Los Angeles; copy in NGA curatorial files, kindly supplied by Patricia Teter). [3][4] Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. The presale estimate of 15,000 to 20,000 (13,200-17,600) was a fraction of its value as a Van Dyck. | Series 2 - 2. 67, which in turn is based on Northbrook Gallery. Public domain data for this object can also be accessed using the Met's Open Access API. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of paintings), usually related to one particular artist. Tate Gallery. Cardinal Francesco Barberini, Rome (1637d. Philip Mould Ltd, 18-19 Pall Mall, London, SW1Y 5LU. Pawlak, Henrietta Josephine Henrietta Josephine Pawlak, 82, a long time resident of Phoenix, AZ, passed away July 6, 2010 at Highland Park Assisted Living in Glendale, AZ. Historical Portraits Picture Library (select convert(int,CHAR(65))) Search by Artist. Sir Anthony Van Dyck: Oliver Cromwell Robert Walker: Mary and Margaret Gyfford, aged 13 and 12 . The programme airs on ABC in Australia. She touches her skirt with her left hand, to our right, and with the other touches a monkey on the boys shoulder. This had been sold at Christie's on 24 January 2012. His elegant, flattering paintings over this period are credited with setting a new standard for English portraiture. Enter or exit at7th Street, Constitution Avenue, or Madison Drive. This portrait is based on Van Dyck's lost original of circa 1636. Fake or Fortune? His eye was caught by a picture catalogued as "After Van Dyck, Portrait of Olivia Porter". She is depicted in a red dress, wearing a coronet and holding a wheel representing the wheel used to torture St Catherine of Alexandria. By far the most important single experience in developing Charless artistic appetite when still prince of Wales, was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated protocols, as well as for housing the greatest collection of paintings in Europe. Answering the programme's call for works of art other than paintings, Philip and Fiona investigate a plaster sculpture that appears to be of Tte qui regarde (French for 'Gazing Head'), an early work by Alberto Giacometti. [5] By terms of the Countess of Mountrath's will, the contents of her house in Grosvenor Square, London, were left first to Caroline, Lady Milton, and after Caroline's death were to be divided among Caroline's children. [3] [4] Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. Two rose-pink bows are tied on the white fabric on her chest. The orange tree behind Henrietta Maria, who was named after both her father, Henri IV of France, and her mother, Maria de' Medici, pays visual homage to her powerful Florentine ancestors. Two long, white feathers droop off the side of her wide brimmed, black hat. "[73], Benji Wilson, writing for The Daily Telegraph, described the programme, then in its ninth series, as "the art world's answer to Line of Duty". As part of, Anthony van Dyck (Flemish, Antwerp 15991641 London), After Anthony van Dyck (Flemish, Antwerp 15991641 London). Henrietta Maria, daughter of King Henri IV of France and sister of King Louis XIII, exerted a strong influence on court fashion and protocol, and introduced continental fashions and Italianate gardens to England. [2] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence . The painting presents well and is ready to hang. She did not leave any paintings to her son, Henry, 7th earl of Mountrath. [60] The ninth series, comprising four episodes, began on 26 July 2021. Williams, Curator and Head of Learning to the Weston Park Foundation, 21 July 2010, all in NGA curatorial files. The third picture to be discovered over this 18-month period came to Mould's attention through the Public Catalogue Foundation's work in photographing all oil paintings in British public collections. ; pintura de Anthony van Dyck; pentrao de Antoon van Dyck; taolenn gant Antoon van Dyck; pintura di Anthony van Dyck; Portrait of Queen Henrietta Maria (1609-1669), three-quarter-length, in a white satin dress with lace cuffs and pearl ornaments, wearing a jewel encrusted crown, a landscape beyond, painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012, Restored portrait of Queen Henrietta Maria as St Catherine, Anthony van Dyck studio - Henrietta Maria as St. Catherine 2021 CKS 20054 0146.jpg, Attributed to Van Dyck - Queen Henrietta Maria as St Catherine.jpg, https://commons.wikimedia.org/w/index.php?title=Category:Restored_portrait_of_Queen_Henrietta_Maria_as_St_Catherine&oldid=431121241, Creative Commons Attribution-ShareAlike License. This page was last edited on 5 July 2020, at 17:40. From their Web site; increased exposure. In her dowager years back in France in the late 1660s, she spent much of her time at her country retreat of Chteau de Colombes, seven miles north-west of Paris, which was decorated with numerous family portraits, moderne masters, such as paintings by Anthony van Dyck, Guido Reni, and Orazio Gentileschi, and many examples of Italian renaissance art, including works attributed to Titian, Tintoretto, and Correggio, which demonstrates her abiding affinity with her husbands collecting tastes. Are black holes the source of dark energy? Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. Today. Enter or exit at 4th Street. For this, we should be thankful. The bill of sale from Knoedler to the Kress Foundation is dated 5 September 1952 and marked paid September 18 (copy in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1751). It was inspired by Mould's 2009 book Sleuth, after which the programme was originally to be entitled. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. [23] SVT on its website described the programme at the time as a "Brittisk dokumentrserie frn 2012" (British documentary from 2012). His red suit has long sleeves, and the coat is buttoned down the front. Oil on canvas, Dimensions:
Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. This had been sold at Christie's on 24 January 2012. Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). What lies beneath. However, according to John Walker, Self-Portrait with Donors: Confessions of an Art Collector, Boston and Toronto, 1974: 222, it was sold for $124,998. The Museum looks forward to receiving your comments. As bidding soared to 1m, it became clear that another buyer had recognised the painting's potential. White fabric covers the front of her bodice under a tall, wide, stiff, lacy white collar that extends from her chin to her shoulders. Flemish, 1599 - 1641. Anthony van Dyck (1599-1641) Charles I and Henrietta Maria Holding a Laurel Wreath, 1632. Before restoration was carried out, the painting was visibly of a high quality, although marred by discoloured layers of old varnish and a hint of Victorian overpaint (paint which has been added at a later date during conservation). Within days, the pair's detective work had unearthed crucial documentary evidence, including a 200-year-old scholarly study and a 1940s photograph taken by the Nazis which described the painting as a Van Dyck. They also tracked down previous owners, including John Smith, a noted 19th-century connoisseur-dealer, who had detailed the picture, down to the colour of the dress, and noted its sale by Christie's in 1835 for 169 guineas. 6th St and Constitution Ave NW It was described by Christie's merely as "Flemish School, 17th century, portrait of a young girl with a fan", discounting its own record that it was once attributed to Van Dyck. The birth of the future Charles II followed soon after in May 1630. Like our page to stay informed about passing of a loved one in Phoenix, Arizona on facebook. Find an obituary, get service details, leave condolence messages or send flowers or gifts in memory of a loved one. In the end, it came to nothing, much to the relief of the Protestant Parliament and people in England who had feared a marriage between their Protestant prince and a Catholic princess, who was, after all, progeny of their traditional enemy Spain. J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey, Mark A. Kishlansky and John Morrill, Charles I (16001649),, Desmond Shawe-Taylor and Per Rumberg (eds. But Mould won. [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. Search by Sitter. At the age of fifteen she was married to the king of England. In preparation for the portrait, Van Dyck must have done a careful study of Henrietta Maria's head, but as she probably posed only briefly for a sketch of the overall composition, he likely painted the actual portrait from a model or mannequin dressed in the queen's costume. |Batoni, Pompeo; George Oakley Aldrich (1721-1797); Bodleian Libraries; http://www.artuk.org/artworks/george-oakley-aldrich-17211797-259898, Oxford University's Student Newspaper. has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. But I couldn't entirely shift the suspicion that some of it was just a little too good to be true. There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. He explained a friend had suggested it might be by the Italian surrealist Giorgio de Chirico, and that he had submitted it at the time to the de Chirico foundation in Rome but had had it rejected. CA 4038; and Sales book no. Van Dyck infused his portraits of the king and queen, including this depiction of Queen Henrietta Maria at age 24, with a tenderness and warmth of expression that fully convey the ideals of peace and harmony that underlay their philosophy of divine right to rule. 2019; cat., 2005, no. By United Service Institution of India, page 23, Last edited on 26 February 2023, at 11:54, "Fake or Fortune? The woman and boy stand on a wide, curved, peanut-brown stone step. Philip Mould | Historical Portraits | Queen Henrietta Maria by Sir . Another 1719 inventory, of paintings at her London house, lists "In the Drawing RoomK: Cha: 1sts Queen by Vandyke.". After expert treatment, the canvas revealed a dazzlingly bright image however, the removal of overpaint revealed that the sitter (George Oakley Aldrich) had been depicted with detailed scarring around his lips that of a burn. Amongst the more niche offerings of BBC Four, I stumbled upon a programme hosted by Bendor Grosvenor the acclaimed hunter-outer of sleepers (misattributed masterpieces). Henrietta Mary Wilmot, 83, of Glendale, passed away on January 21, 2019 in Glendale, AZ. been sold by Christie's before as a genuine Van Dyck and had passed through the hands of many owners, including Prince Talleyrand, Napoleon's foreign minister. Instead, Caroline's son, George Damer, became the next owner of the painting. She was a loving grandmother to 15 grandchildren and 22 great-grandchildren. He owned, for example, Titians stunning, Titian, Ecce Homo, 1543, oil on canvas, 242 cm x 361 cm (Kunsthistoriches Museum, Vienna). Art objects can undergo forensic scientific inquiry, which may "provide valuable information visible only to sophisticated analytical tools such as electron microscopes." 68 To illustrate, the art dealer and "sleeper sleuth" Philip Mould bought the painting "Portrait of Queen Henrietta Maria" for 8,750, including the buyer's . In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. His wish was granted between 1627 and 1628, when the renowned and lavish collection of the Gonzaga dukes of Mantua came up for sale. [3][6] Removal of the over-painting revealed an unfinished portrait of the Queen as St Catherine, which was subsequently attributed to Van Dyck at the conclusion of the programme by Dr Christopher Brown, director of the Ashmolean Museum and an authority on van Dyck. Retrieved 12 August 2021.. One of the paintings surfaced among artworks that were looted by the Nazis and were auctioned last September by Christie's in Paris following their return to their original owners, the Rothschilds. Asked how one of the world's leading auction houses could have overlooked two works by the Flemish master, Mould told the Observer: "Perhaps Christie's didn't have sufficient time to research these pictures. As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. He was knighted that same year. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. The paint surface shows evidence of slight wear, notably in the darker pigments. "[11] Tom Sutcliffe in The Independent had a mixed view as a result of the presentation of the facts, saying: "It was full of cliffhanger tension and thrilling moments of discovery. Queen Henrietta Maria, Artist:
Leafing through the catalogue, Mould was struck by a "devastatingly pretty portrait of a girl". . They are introduced to Joy Lutenbacher, who recalls that her aunt, Joan Smith, witnessed Churchill paint the fountain and provides a signed photo of Churchill given to her aunt, dated October 1945. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Artificial intelligence is able to detect signals of life beyond our planet. East Building The revised early provenance given here relies on the work of Sally Goodsir, who researched the history of the paintings collection at Weston Park, the former country home of the Earls of Bradford, and who kindly shared her research with the Gallery. 16, p. 414 (copies in NGA curatorial files). Episode 5 are 7 day figures from the old system. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. [54][55] The object shows signs of extensive damage, and a CT scan reveals that it was repaired several times. Many comparables of his brushstrokes hanging there too." [71] The record audience for the series was on 12 July 2015 with a peak attendance of 5.8million viewers (episode 4.2 "Renoir"). Oil on canvas. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Philip Mould was stated to have considered the Series 4 case of a Churchill painting as one of the most unsatisfactory endings to date, before it was finally authenticated in 2020. On this Wikipedia the language links are at the top of the page across from the article title. Such was their excitement that they dared not hover over it at the sale preview. An X-ray suggested that Mould's portrait contained a smaller original which . Direct link to Leonard Croll's post how much is the art wort, The Lost Collection of Charles I from the Royal Collection Trust. . Charles and Buckingham traveled incognitoin wigs and false beardsas Jack and Tom Smith and caused something of a stir at the court. in Britain found a portrait of Queen Henrietta Maria (1609 - 1669) painted by Anthony van Dyck. He bought it for 121,250. Fiona and Philip visit a local art dealer who had bought an unusual still life for 1 thirty years ago. The Holy Family With the Head of St Joseph is in the collection of Manchester City Galleries, not Manchester Museum ("Trail of clues that led to Van Dyck's lost masterpieces", News). for some inspiration. With the exception of the Romanelli painted for Cardinal Antonio Barberini, the following copies presumably were based on a replica that remained in England: This work may not be lent, by terms of its acquisition by The Metropolitan Museum of Art. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). Back in London, Philip uses technical analysis to confirm the presence of linseed oil and honey in the paint, highly specific to de Chirico. A child prodigy, Van Dyck began painting at just 10 years old. [1], Another copy, dated 1649, by Matthew Snelling, is in Alnwick Castle.[2]. Mould's second painting had been relegated to Christie's secondary London saleroom in South Kensington, where the catalogue described it as "Circle of Van Dyck Head Study of an Old Man", giving a presale estimate of 5,000 to 8,000. | Radio Times", "A weird BBC world cock up but I'm delighted for Sweden. Van Dyck returned to Flanders in 1627 as an artist with an international reputation. A head study by Van Dyck discovered on The Antiques Roadshow, and which was originally bought by a priest in an antiques shop in Nantwich for 400, will be sold this summer by Christie's. The estimate will be 400,000-500,000. Mould's research identified it as the head of St Joseph for a lost painting of the holy family, known from a version by the master and his studio assistants in the Manchester Museum. She was born at the Palais du Louvre on 25 November 1609, but some historians give her a birthdate of 26 November. However, the only link they found was a British singer who was a friend of de Chirico in the 1950s.
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